[N]othing hit harder than Evil Eye, Madhuri Shekar’s riveting play that turned everything we thought we knew about meddlesome mothers—and frankly, what an audio thriller can be—on its head. In less than two hours, it took us for a wild ride via long distance phone calls, a brilliant ensemble cast, and a refreshing Indian American narrative. Along the way, Shekar whispered deep truths about generational and cultural divides, female intuition, and a mother’s love. For me, that was the ultimate thrill.” —Kat, Audible Editor
Dates: August 3-19, 2018 Runtime: about 1 hour and 40 minutes and will be presented without an intermission Location: Bullitt Cabaret
PhD candidates Sanam and Ariel have spent the better part of the last decade exhaustively researching vanishing bee populations across the globe. Just as these close friends are about to publish a career-defining paper, Sanam stumbles upon an error, which could jeopardize their reputations, careers, and friendship. How far will you go to defend your ethics and standards of integrity, and at what cost? Queen by Madhuri Shekar is a play about pursuit of truth, relationships, and bees.
“In matters of conscience, the law of the majority has no place. Even if you are a minority of one, the truth is the truth. When you know the truth, the truth makes you a soldier.” – Mahatma Gandhi
This was a tremendous night organized by Natasha Sinha (LCT3) and Arpita Mukherjee (Hypokrit Theatre Company). Was so honored to be on this panel and meet many many beautiful South Asian theatre artists in NYC. And to get to make cool folks like Aneesh Sheth and Ayad Akhtar laugh at my grumpiness.
So so so so happy to share that I’m coming back to Chicago with a new play at Victory Gardens, premiering June 2019, directed by Chay Yew himself! (!!!!!!!) And I get to share the season with some of the best plays and playwrights in America today. I can’t believe it.
Thrilled to be part of the 2018-2019 Ars Nova Play Group with these wonderful writers. A place to write and work for the next two years. So excited to see what we create.
On Thursday, Jan 25, come see a reading of HOUSE OF JOY by New York Stage and Film, as part of their Winter Season! Directed by Zi Alikhan and featuring this incredible cast – MaYaa Boateng, Mahira Kakkar, Sathya Sridharan, Jihae Park, Deepa Purohit, Rasha Zamamiri and Ian Fields Stewart.
The St. Catherine’s drama club is struggling to put up its first school play – Sophocles’ Antigone. As if staging this tragedy in an all girls’ Catholic school isn’t challenging enough, the cast’s beloved director ends up betraying them in an unforgivable way. And it’s almost opening night! The actors must then figure out the right course of action, all while rehearsing the classic play about impossibly difficult choices. What is the right thing to do? And must the show go on?
Commissioned by the Alliance Theatre for their Teen Ensemble Arts program.
Come see a reading of my new play at the Atlantic Theatre Asian American Mixfest! RSVP at the link.
HOUSE OF JOY by Madhuri Shekar directed by Saheem Ali
Thursday, August 10 | 3pm Atlantic Stage 2, 330 West 16th St.
Set some time like the 17th century, in some place like Delhi, India, House of Joy tells the story of Hamida, an elite female bodyguard in the Emperor’s Imperial Harem. Faced with an impossible ethical quandary, Hamida tries to help an abused Queen escape the heavily guarded harem, thus risking her life and going against everything she was raised to believe. A swashbuckling action-adventure romance inspired by the legends of Indian history.
QUEEN made The Kilroy’s List of most recommended plays by women and trans writers of color this year! Check out the complete list and add them all to your summer reading list 📚 🎭 ☀️ ❤️ thekilroys.org/list-2017
This year, the Kilroys opted to focus specifically on works by female or trans writers of color. The move was spurred in part by the ongoing study The Count, which in 2015 found that over a three-year period, 22% of productions at America’s nonprofit theaters were written by women — and of those, less than 4% were penned by writers of color.